In his article, ‘Globalization of Culture
Through the Media’, Kraidy (2002) discusses the common viewpoints about the
influence of mass media on cultural transformation. According to him, throughout
its history, the focus of the debate has gradually shifted from the impact of
bias influence of international media flow among countries to the role of
commercialization on cultural imperialism. Although no consensus has been
reached among researchers as to the degree and implications of media influence,
Kraidy concludes that widely regarded theories of international communication
does not disregard the effect media has on changing cultures.
While the debate about cultural
transformation and transnational media flow has been ongoing, I agree with
Kraidy’s opinion that there is a gray area between the power of multinational
corporations and nation-states. In his article, he explains that although the
focus of the subject has shifted to these corporations, the role of governments
cannot be disregarded. For example, the proliferation of K-pop culture – a
subsidiary of the South Korean media industry - is making a global phenomenon
in recent years. Kim (2011), in the article ‘The Role of the Government in
Cultural Industry: Some Observations From Korea’s Experience’, elaborates on
the extensive role of the Korean government in promoting Korean broadcasting industry
globally. The Korean Tourism Board is also jumping in on the bandwagon by
publicizing the filming locations of well-known Korean dramas as tourist spots.
Among them is Namiseom Island where the show Winter Sonata was filmed. The globalization of Korean’s culture is
undisputedly largely nation-state driven. It proves that the government is
still a powerful influence and a possible focus point when reviewing
communication theories.
Although my illustration of Korea
ascertains that nation-states still exist as contributors of media globalization,
I certainly do not disagree with the general prevalent view in conceptualising
theories away from ‘cultural imperialism’. In some cases, the presence of
multinational media companies has outweighed nation-states. Facebook is a
befitting analogy of private companies that are not directly controlled by government
bodies. It is an independent organisation that has a global footprint and is a
suitable case study for present-day media globalization.
Thus in conclusion, the nation-state cannot
be detached from the present study of globalization through media. Progressing
forward, I feel that it is still a relevant component and would provide a more
comprehensive view of the issue.
(Word count: 388)
References & bibliographies:
1.
Kim, M. (2011). The Role of the Government in Cultural
Industry: Some Observations From Korea’s Experience. Keio Communication
Review. (No. 33)
2.
Korea Tourism Organization (n.d.).
Korean TV Drama; Winter Sonata. Retrieved
from http://english.visitkorea.or.kr/enu/index.kto
3.
Kraidy, M. M. (2002). Globalization of Culture Through the Media.
Retrieved from http://repository.upenn.edu/asc/